Sneha breaks them apart but takes Karan's side. Vicky tries to talk to Sneha but Karan intervenes and fights with him. Things change, trust is broken, obsession and confusion ensue, and Sneha is heartbroken and taken aback. Vicky also tries to help Karan with his love life by setting him up with another college friend, Chandni.Д®verything seems to be going well between the two, but one night's incident, where Vicky is caught cheating with Chandni, leads to Karan breaking up with her. However, life goes on and the three of them share a special bond of friendship. Karan feels he has lost the only woman he has ever loved but knows he cannot do anything about it. The next morning, Sneha confesses to Vicky that she loves him, and the previous night should end Vicky's doubts once and for all.ДЇearing Vicky's intentions, Karan tries to talk him out of his relationship with Sneha, but Vicky assures him that this time he really is in love and not flirting. To prove her love towards Vicky, Sneha decides to seduce him and they make love. However, Vicky is not convinced of Sneha's feelings. All three lives change when Vicky joins Karan and Sneha in college, and Sneha begins feeling drawn towards Vicky. The exact opposite of Karan, Vicky is an extrovert and a notorious flirt. Vikram, aka Vicky is Karan's childhood friend. On one occasion, Karan invites Sneha to a party, where she meets the charming and mischievous Vikram ('Vicky'). Although Karan's feelings are evident to many, he is content in just seeing Sneha smile and never gathers the courage to tell her how he feels. Unless you really dislike Hashmi, Aashiq Banaya Aapne is good time-pass.Karan loves Sneha but is too shy to ever express his feelings to her. But it will neither glare out at you harshly, nor even claim your attention too much. Another major flaw in the script is the abrupt ending, leaving quite a few unanswered questions. With the music not keeping up with the trademark soulful numbers of Emraan's other flicks, the movie appears stranded. Tanushree, with cute looks, long legs, kissing prowess and other assets, is insurance enough for Aashiq Banaya Aapne. Sonu Sood, as Karan, contrasting well with Emraan's Vicky, has secured a place for himself in better movies to come. After Murder and Zeher, Emraan has improved upon his acting, especially the kissing part of it. Hashmi's unwashed appearance always triggers off anticipation of under-the-sheet scenes to follow, something akin to what Pavlov's dog might have felt every time the bell rang - food, drool, food. That's it, there's nothing more - except for a very slight twist, that's being deliberately left out of this review to give the movie a fighting chance. This is where the flashback ends with a phish.

In the ensuing tussle, all three manage to earn a few scratches. On their (Karan and Sneha's) engagement day, Vicky comes back with a vengeance. He lands in jail, and Karan lands with Sneha. A lot of things happen - Vicky is discovered in another woman's bed, and drugs are discovered in his. Soon enough, we see Vicky getting off his orange pants and doing his mandatory in-her-bed number with Sneha.ДЇrom here on, the movie gets onto gear 4. With promises of serving as the best man at their wedding, he lets himself be sidetracked. In this amiable love triangle, where all three coordinates love each other to varying degrees, Karan plays the sacrificial goat. Sneha and Vicky fall in love while Karan heaves sighs of passion in the backdrop. In the meantime the three (in various permutations with each other) mouth a couple of snazzy numbers. This, coupled with the hospital scene, is expected to make you churn your gray cells. He also appears to have connections with the underworld, and a passing reference is made to a cache of drugs.

Vicky (Emraan Hashmi) is an old friend of Karan, and goes by the reputation of a steamy Casanova. Karan (Sonu Sood) and Sneha (Tanushree Dutta) are college friends, and together they have a reciprocal appreciation pact - Karan writes nonsensical limericks while Sneha takes to abstract photography. Nothing complicated, but essential to make you sit through the story (this time, the producers are not taking any chances). Aashiq Banaya Aapne fits the bill perfectly - if the number of college kids sporting the John Abraham hairdo and their companions carrying themselves in JLo's low pants at the theater are anything to go by.ДЄashiq Banaya Aapne starts abruptly with three people being taken across the corridors of a hospital, almost on their deathbeds - then, it moves into the flashback. Some flicks are essentially made to encourage people to escape the boredom of the second period and its following classes at college.

Aashiq banaya aapne movie cover